The Bruno design for the TB18C1 incorporated two 12AX7 and two 6V6 tubes. Tony Bruno designed and constructed a hand wired prototype chassis for the TB18C1 amplifier and turned it over to Vox. However, the Vox/Bruno Series would incorporate 6V6 output tubes, the same used in Fender Princeton and Deluxe Reverb amps. The high powered Vox UL Series models, including the 7, incorporated KT88 power tubes. Amps in the four to thirty watt range used EL84 power tubes. Prior to the development of the Vox/Bruno series, only three types of power tubes were found in Vox amplifiers. The Vox/Bruno amp would have an American accent. Keenly aware of his expertise in "tweed" and "black face" circuit design, Vox allowed Tony Bruno to design a Vox amplifier unlike any other. Bruno collaborated with Mitch Colby of Korg USA on the development of the 2002-2003 AC-30 Hand Wired Limited Edition amp series.īruno also made contributions to the circuitry of the VOX Night Train (2009), AC30C2 (2010), AC15C1 (2010), AC30HW2 (2010) and AC15HW1 (2010).Īfter years of collaborations, Vox offered Tony Bruno an opportunity to design a series of three amplifiers that Vox would put into mass production. The "Underground 30" and "Underground 30 10th Anniversary" amps expanded on the circuitry of the JMI Vox AC-30.īeside building his own line of amplifiers, Tony Bruno worked with Vox on various projects between 20. UK "Plexi" design concepts were incorporated into the 50 and 100 watt "Pony" series. The "Cow Tipper" series was inspired by traditional black face circuits. The "Tweedy Pie" series was based on the circuits of early "Fullerton" tweed amps. The Tony Bruno Custom Amp line offered a number of models. Bruno often made modifications and revisions to the circuits of a newly completed amp to further improve tone. Bruno was not satisfied to merely play each newly completed amp in his shop, he also personally tested each with a live band. Most amps featured "point-to-point" hand wired construction. Only the finest electronic components were used, including CTS control pots, American made capacitors, new old stock resistors and premium tubes. Bruno specialized in hand wired amplifiers that evolved out of classic American "blackface," tweed" and British amp designs.Įvery Tony Bruno Custom amp was assembled and tested by Bruno himself. Mark Sampson restored Vox amplifiers until he and his partners started Matchless.Īnother boutique amp builder from this period was Tony Bruno. Gerald Weber brought a Texas twang to familiar "pre-CBS" circuits with his Kendrick Amplifier line. Some of these techs graduated from amp repair to constructing "boutique" hand wired amplifiers based on vintage circuit designs.Ĭhicago area amp enthusiast Mark Baier produced Victoria Amplifiers based on early "tweed" and "blackface" designs. While many techs concentrated on the repair and restoration of vintage amplifiers, a few went a step beyond. This further created the need for qualified electronic technicians with the talents necessary to restore these amps back to their original specifications. No use on online auctions, eBay or Reverb.įueled by the abundant discretionary income of theīaby boomer generation, the free-wheeling economy of the 1990's stimulated a ground swell of demand for vintage Fender, Marshall and Vox amplifiers. © 1996 - 2023 The Vox Showroom, all rights reserved.
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